Part One and Two of:
THE ART OF LOVE AND WAR
The worst is over. They kept saying that. The Professors, the news lady in the pink and tan checked skirt, even the Dean when he sent out an e-video to the students.
But Ryder felt jinxed. And he didn’t really believe them. It only seemed to get worse.
He hadn’t appreciated the fact that college was a safe haven. But now, six months into his collegiate career, he missed those first few months where he was enclosed in warm, fuzzy school-propelled safety.
Since Jeremiah De’Praved, the student who had gone off the deep end and threatened them with a bomb, had been captured, the students were on edge. Like a door that had been pulled too often, when it should have been pushed - they were coming unhinged.
The numbers of bodies actually found in classrooms kept dropping. People were freaked out. Man, even the Profs were wigged. Half the time Ryder would show up to class to see the Cancelled sign glaring back at him.
The only Professor he could count on to show up was Dr. Acer. His War in Literature professor was hardly fazed by anything. Of course, one would expect his cool handedness. He had, as he reminded them often, survived Vietnam and could therefore survive, “a too scared to even detonate” bombing by “some pansy little turd.”
Most students were being educated online. They had been given the option to switch over to internet based lectures, and almost all had snatched it up. Ryder didn’t like giving into fear. He found a profound need to continue to show up. Proving to himself, more than anyone else, that fear isn’t bought and sold.
He made his way up the stairs to the open building known as Hap’s Hall. He walked around, and through, the marble columns and into the doorway that led him to Dr. Acer’s classroom.
Dr. Acer was seated at his desk attempting to balance an apple on his lemon shaped head.
He turned slightly when Ryder entered, causing the apple to teeter and fall.
“Son of a,” he said, bending sideways out of his chair, and scooping the bruised apple from the floor.
He smiled haphazardly at Ryder. “You still showing up?”
Ryder sat at the desk diagonal from him in the second row. “I am if you are. You oughta earn that paycheck you make somehow.”
Dr. Acer let out a gravely laugh and leaned back in his chair. “Well then. Let me work for the chicken feed.”
The door opened and a slender girl came rushing in. “Sorry I’m late, Dr. Acer,” she said breathlessly. “I had a customer that wouldn’t leave. They were, like, completely draining.”
Ryder smiled at her and she winked back at him. He blinked, uncertain how to respond. Forward girls scared the crap out of him. Fortunately, she had already turned back around by the time he realized this.
“Well Minerva, Ryder,” Dr. Acer said. “Shall we wait another minute or two for stragglers?”
Then he gave a mellow chuckle. Laughing, Ryder supposed, at his own little joke.
Minerva rolled her eyes while Ryder stared at the slender way her calf merged into her ankle.
“Today we will begin our discussion on The Things they Carried. We read O’Brien’s Going after Cacciato,” Dr Acer said, pulling Ryder from his reverie. “So, having read both, what did you all think?”
“I think that Tim got to Paris,” Minerva answered.
“How so?” Dr. Acer asked as he propped Tiva clad feet on his desk.
“Well, Cacciato wanted to get there, but being trapped in Wonderland prevented reality from being, like, real. And Tim, lost in his mind, his own, like, wonderland, wanted to get home, but found home a real wonderland. So, well, I think Tim got to where Cacciato would have if he had gotten to where he wanted to get.”
Ryder had been struggling to follow her line of reasoning, but caught up at the end and interrupted.
“Yeah, but The things they Carried, is more about the insanity that war can bring, while Going after Cacciato is about the boredom, illustrated by the notion that all the war was, was walking.”
She pulled out a stick of gum and began chomping away. She snapped it and cocked her head.
“Yeah,” she said, drawing the word out like a child would the gum. “But there’s the element of insanity in Cacciato, too. I mean, like, look at Billy boy. He totally died because he wigged once he lost his leg. And really, the definition of insanity sorta sums up the whole walking dealie. I mean, ‘doing the same thing over and over again,’ is all those guys did, and they ‘expected different results’ even knowing they probably wouldn’t get them.”
“Interesting,” Dr. Acer mumbled - his eyes half-closed under crescent moon spectacles.
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“OK, I give you that,” Ryder said, “but the parallels between the novels don’t define them. I think that the point of The Things they Carried is what war takes from you. How insanity is the minds way of coping with that loss. Look at Mary Ann, she goes nutters and joins the f-ing green berets to escape the fear. She loses her mind to the brink, and just walks out on life and into the woods. All the soldiers eventually walk out on life. Probably as precaution to doing so before it walks out on them.”
Dr. Acer opened his eyes. “Let’s explore that,” he said. “What makes you think they ‘walk out’ on life?”
“Because they all go bananas,” Minerva suggested.
“Yeah, but the way they go, um, bananas.” Ryder said, letting his words lead him. “I mean all these guys carry symbols or tokens that they expect to protect them. Like the pot, slingshot, stockings and the letters. Each are talismans to keep them safe. But they aren’t protected. Heck, look at Kiowa. He carries the moccasins and hatchet, but mostly he carries his faith. In the end, he drowns in crap. That’s the theme of the war. Nothing keeps them safe. That lack of protection, that, um, vulnerability, makes them lose it. It didn’t matter what they carried with them, the war and its cruelty would take it all away.”
“That’s, like, pretty deep,” Minerva said, her head resting on the support of her hands.
Ryder looked at her and quickly glanced away. Dr. Acer watched the interplay.
“Well, the truth of it is that the novel represents many aspects of war. Not just one theme or thread,” he informed them. “What did you think of the chapter, “Speaking of Courage” and the character of Norman Bowker?”
“I thought the title of the chapter was, like, a little ironic. Who hangs themselves and calls it courage, or even alludes to such a thing?”
Dr. Acer waited to see if Ryder would respond. When he didn’t, he countered, “Well, what would you say was courageous about Norman Bowker?”
“Not much,” Minerva said. “He didn’t have any love for himself, his family or maybe even his country. He drove around a lot. Was totally suicidal, a complete Ana even, and then hung himself at the freaking Y. The Y is supposed to be uplifting. He was a complete downer.”
“He was a hero,” Ryder disagreed. “I mean, he was a true war hero. But he came home and everyone saw him as a nobody. Worse, everyone saw him as evil for fighting a war that they opposed. He felt invisible, and so he eventually disappeared by walking away from life. Would you love yourself?”
“There,” Dr. Acer said. “You found it.”
“Found what?” Ryder and Minerva ask at the same time.
“The thing they all carried. The inevitable shame and guilt of it.”
“Oh,” Ryder said, the word heavy, drifting in the air.
Minerva stared at Ryder, and then back at Dr. Acer. “Is that what they carry now? The soldiers that fight for us?”
Dr. Acer frowned. “We are quite surrounded by parallels. That’s one of life’s more jocoseness ways. This current war we are in does have parallels, in some ways to Vietnam. Perhaps all war does.”
He rubbed at the bridge of his nose where his glasses pinched and perched. “I would wager a guess, that many soldiers understand Mr. Bowker’s plight. But this war is strange as well. We have mothers and father’s fighting in this war. I would say we have yet to see the likes of devastation this war will bring to the minds of the soldiers and civilians.”
“Would you go?” Ryder asked Dr. Acer.
“Fight or flight, you ask?” He said. “Well, as a youngster I was terribly adventurous and bound by pride. But as an adult… well not a lot has changed.”
“The better question, is would you go? Either of you, because you both may be called down. You never know what the future will bring.”
Ryder looked over at Minerva. She absently picked at the black polish coating her fingernails. It slowly peeled off, layer after layer, after layer. Her legs were crossed at the ankles, and every few moments she would slip one slender foot from the sandal she wore and set it on top of the other. Ryder realized he had never thought about girls in the war. For some reason, he had never imagined Minerva fighting against The Enemy overseas.
Minerva let out a huff of air. “I can’t make up my mind,” she told them both. “I mean, I’m like scared to bits, but I don’t want that to control me. I was scared when Jeremiah tried to blow us up, or threatened to anyway. But I got his anger. We all get lost and angry. Fear can rule where love should reside. But I come to class. I won’t give in to the fear. So maybe I will go. Just to show myself I’m not scared. Even though I would be.”
Ryder just stared at her, this little girl who thought just like him.
“And you Ryder?” Dr. Acer asked him.
Ryder looked back at him and shrugged. “Well, if she goes, I guess I’ll have to. Someone’s got to be there to listen to her babble.”
Minerva threw her pencil at him and Ryder caught it. He winked at her and she smiled, before she snapped her gum.
*Short story from Paige's pages
Today's word is:
librettist